Hi everybody! Today, we’re delighted to welcome fabulous author of fantasies and historicals, Rebecca Cohen.
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There’s something incredibly satisfying about creating a world, whether it’s a completely made-up realm or a semi-real nodule meant to slot seamlessly into our own world. And I believe, that no matter what sort of writing you’re attempting, you need to build the setting for characters with care attention.
My first novel, Servitude, was a fantasy, set in a realm that is largely the product of my
fevered imagination. There are deliberate similarities to Earth sprinkled about but, on the whole, I was able to run amok and let my imagination run wild. But my new release, Duty to the Crown, and its prequel, The Actor and the Earl, are historical, specifically Elizabethan, and set in London and the Home Counties in 1599/1600. Now, as much as I love a good dragon or rivers of magma, I could find no historical source or slightest snippet of text that would let me get away with that. And to be honest, the plot wasn’t going in that direction either. So, for these novels, my world building had to take a different direction…
Having had a love of Tudor history since I was a schoolgirl there was no hardship on my part to research the background I needed. In fact, it was harder for me to pull back and not include all the marvelous little details that would have the story reading like a text book. Nevertheless, this type of novel (a m/m historical romance) couldn’t be wholly transported into Elizabethan England. The period was not what you could call gay-friendly and, as much as I like to think that Hilary Mantel’s Wolf Hall could only have benefited from a little man-on-man love, I had to accept that I’d have bend things a little for my plot to work. The key for me was to add the layer of detail to build the world enough; the clothes; geography and buildings helped set the scene. Adding everyday details are important to make the setting, but also a double- edged sword when going back nearly 500 years as the available evidence for even the most mundane of things can conflict. The way of making everyday things differed greatly between estates (you would not believe how many different ways there are to make soap and beer!), and the naming of commonplace items has mutated overtime.
Building characters with nod to those in history also helps. It’s no secret that Anthony Crofton is inspired by Robert Dudley, and that young men played the role of women in the theatre like I have with Sebastian.
Here’s an extract for Duty to the Crown where I hope gives the feel of the backstreets of London in 1600:

The evening air was stale, the warmth of summer a claustrophobic blanket across the city, stifling the back streets that sprawled behind the Globe Theatre. Sebastian weaved through the short-tempered mass of people, annoyed by the heat and the pungent smell. He was hot, too, hidden as he was under his heavy traveling cloak, but being dressed as a man was nowhere near as uncomfortable as being Bronwyn. Sebastian had slipped away from Anthony at the end of the play, pressing a note into his hand and smirking before disappearing into the throng of theatergoers.
A couple of tankards of wine had steeled his courage and helped to while away enough time for the evening to set in properly. Long shadows appeared in the wider alleys and in the others, where the sun hardly penetrated even at midday, it was now almost dark. These were the alleys Sebastian was interested in, their darkness a perfect cover for his plan. It was the kind of place Sebastian had frequented only on very rare occasions when he’d lived in London, having been warned off by the tales the other actors had told of cutthroats and pickpockets lurking around every corner. He checked that his dagger was close at hand before heading into the warren of little alleys where London’s least salubrious inhabitants would perpetrate the most disreputable deeds.
Sebastian didn’t stop to worry about what went on behind the closed doors of the buildings on this street; he had no wish to be seen as a nosey passerby and ultimately a body that would need to be disposed of. He rounded the corner briskly, relieved to enter a better-lit area where the local water pump was situated, grateful that he’d found the place he’d been searching for without getting lost.
And this is the wedding feast from The Actor and the Earl, which I admit is one of my favorite bits of either book:
A quartet of minstrels began to play as they entered the dining room. Following behind was a large collection of wedding guests, again most of them not known to Sebastian. But he was distracted from trying to place the faces when he saw the spectacular arrangement on the table in front of him. The head table was draped in green silk and dressed with three large green branches decorated with peacock feathers and violets.
At either end was a gilded cage holding two turtle doves. And from a spike on the top of the cages were a host of ribbons in the colors of the Crofton crest of arms. Sebastian stared into the cage, cooing at the speckled feathers of the doves, as he and Anthony made their way to the two chairs in the middle of the table.
The guests, in sways of rich velvet and silk, took their places at the tables and stood waiting to be given permission to sit. Anthony picked up a knife and rapped it against the side of a silver candlestick until he got the silence he wanted.
“Lord and ladies, honored guests, thank you for being here today.” He raised his goblet, which Sebastian noticed was already full of red wine. “A toast to my lovely new wife. To Lady Bronwyn.”
The guests murmured their agreement, each picking up a goblet from in front of them and drinking a toast.
“Please,” said Anthony, “enjoy the feast to celebrate this special day.”
As Anthony sat, two oak doors that Sebastian hadn’t noticed before were flung open and a stream of servants entered the room carrying the platters of food for the first course of the feast. He could see a quarter of salted stag, numerous stuffed chickens, and, judging by the smell as it passed, a loin of veal. But the most amazing thing was an enormous pie, carried on the shoulders of two young men, which was set down at the end of the table. Sebastian craned his neck to watch as the crust was removed by a serious-looking woman with a silver dagger, and he gasped as a whole roe deer, a gosling, chickens, pigeons, and a rabbit were revealed, all baked together.
Sebastian was presented with a selection of the meats in thick slices by a servant, his mouth watering at the delicious smell. Picking up his knife, Sebastian made to help himself to a large chunk of rabbit when he stopped himself, having caught a glimpse of one of the ladies staring at him. He carefully cut the meat into small strips and watched woefully as Anthony speared a large piece of venison on the end of his knife and bit into it enthusiastically.
Anthony saw him, reached over, and picked up a piece of rabbit. “Come, my love, let me feed you.”
Sebastian was set to refuse, but, conscious of the wedding guests, he opened his mouth. Anthony smiled and fed him the small piece of rabbit, stroking Sebastian’s cheek with his other hand as he did so. The light touch of Anthony’s fingers made his breath hitch and his heart rate quicken. He opened his mouth wider to accept another morsel, which Anthony happily provided.
For a moment, it was as if it was just the two of them, alone. Anthony’s pupils dilated as Sebastian licked his lips, but the spell was broken as a cheer went up, and a burly man seated at the head of the table on their left called for another toast.
“That,” whispered Anthony as the guest wished the couple a successful marriage, “is Lord Tobias Tallin, one of the richest men in England. The women to his right, who disapproved of your table manners earlier, is Lady Alice, his wife.”
Sebastian nodded, not trusting his voice as Anthony rested his hand on his thigh, the heat from it radiating through the layers of his skirts. He reached out to pick up his goblet for the toast, but knocked it sideways, spilling the red wine across the silk cloth.
Sebastian was on his feet, flushed with embarrassment as the wine spread across the table. “I… I’m sorry.”
Anthony shushed him, picking up the goblet. “It is just wine. Nothing to be sorry about.”
A servant was already cleaning up the spill, and another refilled the goblet. Sebastian yelped as Anthony pulled him back so he was sitting in his lap. Sebastian looked quickly to the guests, expect them to scandalized by Anthony’s antics, but while a couple of the woman narrowed their eyes at the impropriety, most of the others were smiling and laughing at the sight. Anthony offered Sebastian his own goblet to drink from for the toast, which Sebastian accepted, unable to drag his eyes away from Anthony’s, and he thought Anthony was going to kiss him again, but instead he took the goblet back and drank deeply from it.
The next course arrived, and Sebastian attempted to sit in the empty chair, but Anthony held him firm, his arm around Sebastian’s waist preventing him from escaping. The second course was just as extravagant as the first. Silver salvers loaded with chickens and pigeons were presented to the guests, and three large sturgeons cooked with parsley joined the food parade, with the centerpiece being a whole roast boar with an apple in its mouth.
Throughout the courses, Anthony was attentive, feeding him bits of meat and sugary delicacies or stroking the back of his neck while being careful not to dislodge Sebastian’s wig as the minstrels continued to play. The food was so expensive that it would’ve been mere fantasy for him to afford during his time in the theater. Over the different courses, guests came to give their blessing, either individually or as couples. Anthony introduced each in turn, and Sebastian realized every one of them must’ve been a member of the nobility and a regular at court. But although their words sounded sincere, Sebastian could tell by their expressions or something about their eyes that they were more curious about Anthony’s choice of wife than having any real desire to wish them well in their start to married life.
So do you have any must-haves you want to see when it comes to world building, or the setting for characters to play in?
Links:
Blog: http://rebeccacohenwrites.wordpress.com/
The Actor and the Earl: http://www.dreamspinnerpress.com/store/product_info.php?products_id=3429
Duty to the Crown: http://www.dreamspinnerpress.com/store/product_info.php?products_id=3637